文章运用社会学理论对马保国现象进行分析。马保国是自媒体时代的新型江湖艺人,他将自我塑造成沉浮于市井的文、武兼备之人,并对自身武学品格做出深度描述,打造出全知全能的武师形象。除了对自己的尚武业绩做出虚饰性宣传,还试图占据道德制高点,对古典完人形象进行再度扮演。他塑造的海归武师角色,更像是走向社会表演的非尚武类武者,他并未真正走进中国传统武术,也并非武术高手,却竭力在各种场合扮演武林高人的角色,最终在实战中败下阵来。“马保国事件”可能促进中国传统武术的内部革新,成为重新审视中国传统武术的契机。

In this paper,sociological theory is used to analyze the phenomenon of Ma Baoguo. In fact,Ma Baoguo is a new typeof artist in the era of we media. He has always portrayed himself as a man,living around common people,of both literature andmartial arts in his works and video materials and made a deep description of his martial arts character to create an omniscient martial master image. In addition to making pretentious propaganda of his martial arts achievements,he also tried to occupy the moral commanding height and play the role of classical perfect man again.His role as a returnee martial arts teacher is more like a nonmartial warrior who performs in the society. Ma Baoguo has not really approached Chinese traditional martial arts,nor is he amartial arts master,but he tries his best to play the role of a martial arts expert in various occasions,and is finally beaten in actual combat. The Ma Baoguo incident may further promote the internal innovation of traditional Chinese martial arts and becomean opportunity to reexamine it.

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